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High Pass1 of a series of collages reflecting on both real and metaphorical journeys, depicting trackways, paths, trails, and tracks. Entire sections are deliberately removed, obliterating essential information and exposing the underlying structure of the magazine in which they appear, raising questions about how we disseminate information and knowledge.

The Concreum bubble ashtrays come in numerous colours and 3 shapes

It also continues my exploration of how women are seen and how they see themselves

the contemplation lies in being conscious of its transitory and impermanent nature

how psychological shifts can imbue seemingly banal images

Rather than rushing toward resolution

I call this the somatics of landlessness

The work aims to reclaim the narrative of the stories

Dominating the composition are extreme close-up of drifting seedheads

I transformed these naturally holed stones into wax reproductions

Laced with personal significance

as presence slips into absence

La llamada showcases two farmers in the Andes mountain range executing the ancient practice of transhumance